The moss dots in Wang Meng’s Seclusion in the Qingbian Mountains were rendered by split-bamboo dots.
Observation and Embodiment in Chinese Landscape Painting(中国画学·中国山水画的观物与体象)
章节列表
山川胸襟—范宽《溪山行旅图》的传承与拓展Mind of Mountains and Rivers: The Continued Tradition and Expansion of Fan Kuan’s Travelers by Streams and Mountains7笔尽意远—夏圭《溪山清远图》的传承与拓展Profundity within the Brushstroke: The Continued Tradition and Expansion of Xia Gui’s Pure and Remote View of Streams and Mountains7游目骋怀—黄公望《富春山居图》的传承与拓展Traveling to Open up the Mind: The Continued Tradition and Expansion of Huang Gongwang’s Dwelling in the Fuchun Mountains7落墨写心—王蒙《青卞隐居图》的传承与拓展Painting Directly From the Mind: The Continued Tradition and Expansion of Wang Meng’s Seclusion in the Qingbian Mountains7